After
Application |
Washed &
Scrubbed |
Product
Used |
Comments |
|
|
Lipton Tea
|
Using 5 or more teabags, make a pot of tea. Get it
as dark as you can. Dump the bags, let cool, and put it in a
small plastic container (if you're putting the bead
in a
glass container and drop it, could break off protruding
bits). 2) Dunk your annealed, cleaned bead into
the brew, roll it around so it's got tea all
over, and fish it out.
This method was reported to
be permanent after 3 months, but it wasn't. Thinking that I
had somehow done something wrong, I wrote to Sharon Peters. Click
here to read what she had to say. Thank you Sharon!!!
|
|
No Change |
Bullseye Frit
|
I dipped the
hot bead into the powder and then melted it in the flame 3
times. I didn't think much of this one till after I etched
it. The etched side is the closest I came to the look of tea
staining. If a lighter shade is wanted, just dip and heat
fewer times. Etching was done as the last step. If you like
this one, you have the owner of Forestheart
Studio to thank for coming up with it. |
|
|
Paradise Paint Brown |
Deborah at Dread
Designs was kind enough to let us use this
guy. Thanks! |
|
No Change |
"1 SHOT"® Lettering Enamel
|
This oil
based opaque enamel has excellent coverage on glass. It
needs 30 days or so to reach it's maximum hardness. |
|
No Change |
-
- Pebeo Vitrea 160
-
|
This
translucent paint needs to be dried in the oven at 325º F
for 40 min. |
|
No Change |
-
- Delta PermEnamel
-
|
Top half is
etched. Requires preconditioning and after application of
paint, 1 week before washing. |
|
No Change |
- Effetre Amber Frit Trial 1
-
|
I decided to
play around a bit and make my own powder from Moretti Dk.
Topaz rods. I wasn't very pleased with the results - the
look is too granular. Perhaps I'll regrind it and try again
later or perhaps grind up a lighter colored rod. |
|
No Change |
Effetre Amber Frit Trial 2 |
I reground
the powder directly above into a finer powder and tried it
again. I still don't care for the way it turned out. Of
course, if you're going for the look of mud, this may be
just what you're looking for. Next I'll try a lighter color
of Moretti Topaz. I didn't even bother to etch this one. |
|
No Change |
-
- Effetre Amber Frit Trial 3
-
|
Decided to
buy the lighter frit/powder instead of making my own. I had
to heat the bead so much to melt in the frit that I lost all
the detail in the cat face. As above, I didn't bother to
etch this one. |
|
|
-
- Top half is Minwax Wood Finish
-
- Bottom half is Tandy's Leather Glow
-
|
|
|
|
Minwax Wood Finish Touch-up Marker |
|
|
|
-
- Rub & Buff
-
|
|
|
|
Painters Metallic Marker |
|
|
|
-
- Kiwi Paste Shoe Polish
-
|
|
|
|
-
- Kiwi Cream Shoe Polish
-
|
|
|
|
Fingernail Polish |
This was the
only Nail polish I could find that looked dark brown. As you
can see, looks can be deceiving. |
|
No Change |
Sculpey III |
|
|
|
-
- Pearl-Ex
-
|
Etching was
done as the last step. |
|
No Change |
Thompson Enamel |
Etching was
done as the last step. |
|
No Change |
Copper Ruby Reduction Frit Powder |
Etching was
done as the last step. The frit was not reduced. |
|
|
Gallery Glass Window Color |
|
|
|
Liquitex Concentrated Artist Color - Acrylic |
|
|
|
Sharpie Gold Marker |
|
|
|
- Testors Model Paint Enamel
-
|
|
|
|
Painters Enamel Marker |
|
|
|
Folgers Coffee |
Treated this
one exactly like the Tea. |
|
|
PaperMate Permanent Marker |
This bead
broke and the darkest area on the washed bead is where the
ink stuck to the glue. |
|
|
Rit Fabric Dye |
The color
washed away as soon as it hit the water. This bead also
broke the only color that remained was what was stuck to the
glue. |
|
|
Walnut Ink |
Ink does not
want to stick to the unetched side. If you click on the
picture to view the larger image, you can see areas on the
right side where the ink pulled away. As predicted, the
color washed away as soon as it hit the water.
|
|
|
Sharpie Brown Marker |
|
|
|
Liquid Leaf |
|
|
|
Easter Egg Dye |
The color
washed away as soon as it hit the water. |
|
|
Embossing Powder |
|
|
|
-
- Higgins Permanent Black Ink
-
|
|
|
No Change |
-
- Duncan Ceramic Glaze
-
|
The glaze
should have turned out the color of the inside of a bean
pot. The dark areas of the bead show about the best you can
do with a ceramic glaze. The temperature required for the
glaze is higher than the melting temperature of the base
glass. Etching was done as the last step. |